Drew Merritt’s work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit. Graffiti covered cargo trains passed before the eyes of the budding artist and indefinitely inspired him to pursue a career underground, against the law, and creating his place in a hybrid culture, between rural and urban. Graffiti culture in itself is clandestine. Merritt’s subject matter, however, is seen with hope and determination of contemporary players in a positive, light fashion. The juxtaposition of these qualities yields a visually spectacular series of work.

"Breaking Ice"

"Cain and Unabel"

"Chaplin"

"Church and State"

"Cut Copy Burn"

"Dead Crows"

"Enjoy Your Coke Diet"

"Eviction from Eden"

"Flight"

"I'll Never Paint a Self Portrait but if I did This Would Be It"

"If I Make It To Heaven Bloody as Hell Will You Still Take Me"

"In The Lines"

"Individuality"

"Noose 1"

"Noose"

"Over The Years"

"Public Restroom Gold Rush"

"Scorched Earth Propaganda"

"Straw That Broke The Horses Back"

"The Cabin"

"The Impossible Ambition Seems Reachable"

"The Spoils of Love and War"

"The Tenth Month"

"Train Whistles Howl"

"Tyler"

"When a Pretty Face Asks You to Take a Bite Out of an Apple its Harder to Say No Than You Think"

"dying breed"